Mixed tungsten and gloomy window light, general in camera meter. Full stop bracketing. No push processing in standard C-41 machine. Scanned on a Fuji Frontier SP2500 w/ minor correction.
100%crop from the same scene so you can see how exposure effects grain.
Very cool overcast light on a rainy day in L.A. from EI 100-6400 no push, no filter, ugly image of boring building (pretty much as bad as it gets for this film). High res scans at 100% corrected in machine. This is only for technical assessment of grain, tonal separation, and color when corrected for cool light. We only shot this to be sure our process for C-41 didn't effect the flexibility of this film.